This routing pointed to an idiomatic intertextuality. This provided compositional design parameters arising intertextual and idiomatic (guitar), where some compositional attitudes were treated. We analyzed proceedings where the idiomatic can be used as a feasible compositional tool, especially in the universe of guitar. It was found in Guinga's repertoire world a dialogue with various trends and an accurate sense of idiomatic usage of their guitar songs accompaniment. ![]() The songs were chosen by the Brazilian composer Guinga (1950), for voice and guitar, as "source text" in order to use it as a musical production of compositional and analytical support. ![]() The bibliographic clipping literature - Bakhtin (2010), Kristeva (2005), Genette (2006), Bloom (2002) and Sant'Anna (2003) - relates to authors in the field of music through the eyes of intertextual theory. The discussion is relevant considering the growing interest in the subject and its applicability in Music. ![]() ![]() Bearing in mind that the paths to compositional activity can permeate a specific approach, this paper seeks to direct it to the intertextual bias to compose work for guitar and orchestra.
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